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About:

Lorton Valley Star Newspaper
monthly and on the web
www.LortonValleyStar.com

Covering the greater Lorton, VA area from Fairfax /Franconia Parkway to Prince William Parkway.

Contact Information:

Floyd Harrison,
Publisher, Editor-in-Chief
Lorton Valley Star Communications, LLC

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Lorton Valley Star
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Lorton Valley, VA 22199

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© 2005 Floyd Harrison T/A
Lorton Valley Star Comm.
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Mother's Grieving Heart

On November 10, 2000 Maria's daughter Crystal was killed in a terrible accident. Maria went through what no mother in the world wants or expects to go through.

Go To Site…

To moms who have suffered the loss of a child:

When Maria was faced with the death of her child, all the books she read provided the same answer. This answer was not good enough. She began to write poetry. Her poetry was a way for her to find the answers to the terrible crisis that she could not find in any book. Through writing her poetry, Maria became closer to God and she found during her journey, that God's mercy is a sufficient answer to any crisis or devastating situation.

Those poems are now available in the book, "Crystal, A Mother's Grieving Heart" published by Lorton Valley Star. It is available in Occoquan at the Coffee House of Occoquan and at Attic Treasures. It is also available online from Maria's web site.

Buy the book now…

Copyright © 2003 Maria Carneiro, of Montclair, Prince William County, Virginia, USA

All international rights reserved.

94 Pages
Scripture taken from the HOLY BIBLE, NEW INTERNATIONAL VERSION. Copyright © 1994 International Bible Society. Used by permission of Zondervan Bible Publishers.



Catalog Data:

Carneiro, Maria A.
Crystal, A Mother’s Grieving Heart
Original Publication:
A.D. 2005
ISBN 0-9764770-0-9

Grief, Poetry

Library of Congress Number TXu1-189-869

Cover Art:
Michelle Carneiro
Graphics and Layout:
Floyd Harrison




Publisher:
Lorton Valley Star Communications
P.O. Box 1436
Lorton, VA 22199
USA

See Coffee House

See Attic Treasures

Review: Last weekends for Mouse Trap at Lazy Susan

Get Caught at the Lazy Susan

Review by Floyd Harrison, publisher

A Snowmageddon like storm traps guests in a guest house just a few miles outside of London after a murder in London earlier that day. Four of the guests had reservations, two of them just show up out of the storm, one of those on skis and there’s something eccentric about most of them. The inn keepers have also secretly been in London. There are actually eight suspects. The Police have evidence to believe that there might be trouble at the Manor.

Quickly, night closes, the roads are blocked, the phone line is ‘down’ and one guest is found strangled. It will take 24 hours to solve the Three Blind Mice rhyme. Who is to be the third victim and then who committed the first two murders? This is the hand of Agatha Christie. You don’t see murder; you simply discover it.

The only thing you know before the show is that you’ll have a pleasant evening at the Lazy Susan in Lorton. There’s plenty of free parking and you won’t have to rush from dinner to show. You’re already there. This is a good relaxing value.

There is a bit of mystery to the Dutch Groaning Board buffet so you’ll want to try a dab everything to collect all the evidence. There’s roast beef, chicken and fish. Go ahead and get a big dessert and save it for the second act as it gets intense and you’ll need your brain food.

The actors and stage crew are the waiters and waitresses. It’s a tough job but they perform both well making a very entertaining wait staff. Ours was the charming Missy Person Ward as the less than charming Mrs. Boyle. The part ‘killed’ her but she came back to serve intermission anyway. The publisher is innocent.

These are the last weekends for “Mouse Trap” at Lazy Susan before they change to the new show. Plan your visit and make reservations now. Call 703-494-6311 in Lorton. They love groups.

Review: Miracle Worker Review of Woodbridge HS

Cappies review by Katie Miller of Pope John Paul the Great Catholic High School

What magnificent creatures human beings are that we can overcome any obstacle with love, persistence, and concentrated effort. The cast of Woodbridge Senior High School's production was truly able to convey the message that Helen Keller's tutor, Anne Sullivan, was able to teach Helen.

The well-known play, The Miracle Worker, written by William Gibson, is set in 1880s Alabama and based on the autobiography of Helen Keller, who was a deaf and blind little girl when Anne Sullivan became her governess. Before Anne was hired, Helen's parents had called on dozens of doctors but none had been able to help Helen. Fortunately, twenty year old Anne gave them hope with her new approach; she taught Helen sign language by patting the letters on her palm and subsequently putting the item she had spelled into Helen's hands. Gradually, after intense physical struggles that often ended with Anne wrestling Helen to the ground until she calmed down, Anne taught her pupil manners and obedience. Because of her dedication to the child and willingness to do whatever it took to teach her, although others insisted that she should be pitied, Anne showed extraordinary love and earned herself a place in history as a true miracle worker.

The show was anchored by Mia Amado's stellar performance as Helen Keller; she never once fell out of character and it had to be inquired as to whether or not she could actually see, hear, and speak. Clara Hoch portrayed an astoundingly believable Anne Sullivan, the titular character. In her simple floor-length brown skirt and crisp but comfortable white shirt, Hoch reflected the humility of her character and carried herself with the simplicity, confidence, and maturity required. Hoch made Sullivan's unflagging persistence and determination to teach Helen through her steady voice and physical connections with Amado. The instances where the two struggled at length physically with each other were not only humorous, but accurate and invaluable to the plausibility of the story as a whole.

Kaitlyn Rhyne, as Helen's mother, carried the feeling of pride in Helen's small accomplishments throughout the play, and characterized the feeling of hopefulness. Her tears of joy and of sadness were convincing and heart-rending and everything from the way she carried herself in her brightly colored, elaborate dresses, to her mannerisms were gentle and appropriately maternal.

The set consisted mostly of bright white boards built in the shape of the frame of a house with empty picture frames; the antiquated furniture and costumes were the only contrast besides a light blue wall in the dinning room. The costumes symbolized the personality of the characters, such as the green dress worn by Rhyne to portray her character's vitality, and helped to create an accurate atmosphere. Mumbling was a minor issue, as the microphones did not always work, but the actors were not thrown off. The lighting was well done and creative, especially during scene transitions and Anne's flash backs to her childhood.

Woodbridge Senior High School's production was remarkably well-acted overall and successfully transported the audience back to a time when the dedication that Anne had to Helen was almost unheard of. The message of love and hope steadily floated from the stage and built into a heart warming climax, with Amado signing "mother" and then embracing Rhyne, having made progress at last. Although a difficult script to perform, Woodbridge truly illustrated humanity at its best and inspired the audience to pursue greatness.

Monopoly Tournament a Success

Our 5th annual Monopoly Tournament was a big success. Over 100 participants truly enjoyed our fantastic new location, The Workhouse Arts Center in Lorton, and we raised over $5000 for Habitat for Humanity of Northern Virginia. Special thanks to all of our local business sponsors and Glory Days Grill in Lorton for catering a great lunch.

14-year old Matthew McFarland of Lorton won it all, and the top prize of $500. And, after attending every year for the past 4 tournaments, Dan Poling of Fairfax Station came in second and won $250. David Doty of Manassas took home $100 for third prize. Trophies for 4th, 5th, and 6th went to Bernard Sloan, Brian Miller, and Richard Ambrow, respectively.

Prince William Art Society

The Prince William Art Society will meet on Wednesday March 21, 2012 at 7:30 pm at the Canterbury Woods Community Center 12184 Chaucer Lane in Lake Ridge. The art society welcomes Steve Myles, whose work currently is on display at the Undertaking Gallery in Occoquan. Mr. Myles creates lovely atmospheric oil paintings in a very realistic style. To see more of his work http://stevemylesart.com/ Meetings are free and the public is encouraged to attend. New members always welcome.
For more information about the art society, shows, or workshops check the art society's web site at princewilliamartsociety.org or call 703-490-5363 or 703-670-9437. The Prince William Art Society is a non-profit organization dedicated to educating and promoting the Visual Arts in Prince William County and surrounding areas. The Prince William Art Society is supported in part by the Arts Council of Prince William County.

South County Middle School

Shakespeare’s Twelfth Night

South County Middle School Theatre Department, a part of South County Secondary School in Lorton, is presenting Shakespeare’s Twelfth Night, March 15,16, 17.
Shakespeare’s comedy of mischief and mayhem written to celebrate the Feast of Fools, a combination of Halloween and Aprils’ Fools Days, begins with strong notes of sadness and tragedy and explores the power friendship and love have to overcome loss. The play is set in a boarding school in September 12, 2011 and follows Viola, who believes her twin brother Sebastian is dead so masquerades as a boy named Cesario and inadvertently falls in love with Orsino, the man she serves. Things go awry when Orsino’s beloved, Olivia falls in love with Cesario. The madness continues as pranks are played, teachers become the children, and the fool becomes the wiseman. Lead roles are played by Hailey Norlin (Viola), Ben Jackson (Orsino), Monica Altman (Olivia), Joseph Bright (Toby Belch), and Franco Diaz (Malvolio).
“The students are having a great time performing Shakespeare because they want the audience to realize that Shakespeare can be fun and relevant.” says Alexis Rose, Show Director and Middle School Drama Teacher.
Show Times:
Thursday, March 15 at 7 pm
Friday, March 16 at 7 pm
Saturday, March 17 at 3pm and 7pm
General admission is $6, and $4 for seniors and students. Get tickets at the door or discounted tickets online at southcountytheatre.org. South County Secondary School,8501 Silverbrook Road, Lorton.

Hayfield presents Annie

Hayfield Middle School presents Annie on March 22, 23, and 24 at 7 p.m. and 24 at 2 p.m.
Tickets are: $6 for elementary age// $8 for ms/hs students and senior adults and $10 general admission
Address: 7630 Telegraph Rd, Alexandria VA 22315
Email for more information: sajohnson1@fcps.edu

Woman Made Art

Woman made is the Workhouse Arts Center exhibition featuring a diverse selection of female artists from Northern Virginia curated by Amy Lust. It runs through March 25 with an opening reception, Saturday March 3. Themes include woman’s issues.

Artists Come Together and Support the Workhouse for the 2012 Collector’s Showcase

The Workhouse Arts Center is now exhibiting the 2012 Collector’s Showcase in its very own Workhouse Gallery. This year’s showcase, which will be on display until February 25, features over 60 diverse works, all of which were donated by Associate and Studio artists’ of the Workhouse. “Visitors to the exhibition this year can expect to view a wide variety of exquisite works from various mediums by our Workhouse Artists,” says Sarah Shepard, Director of Visual Arts.

An opening reception for the showcase was held at the same location on February 10 from 5-7pm. During the reception, winners of the judged exhibition were announced as well as best in show and several runner-ups. This year’s best in show was awarded to Building 6 artist, Crystal Rodrigue for her piece, Tower. Runner-ups this year included Kathleen Kendall, Allen Levy, Michelle Aquilino, Kerin McBride, Mary Gallagher Stout, Pamela Eisenmann, Suellen Black, Julia Dzikiewicz, Gloria Benedetto, Eileen Olson, Marni Maree and Gina Cochran.

Members of the public will also have a chance to own a piece of art by purchasing a ticket to attend the 2012 Collector’s Showcase Gala on Saturday, February 25 from 7:30 to 10:30 pm. The gala, which will be held in the Workhouse Gallery, provides guests with a chance to experience fine art accented by an evening of hors d’oeuvres and music. The works will be available through a lottery system that is based on the type of ticket purchased.

Ticket Information:

Package A: $300/person or $350/couple. SOLD OUT
(Guaranteed one of the first 20 selections).

Package B: $150/person or $200/couple.
(Art selection will be after the first 20).

Package C: $85/person or $125/couple. Come for the fun! (Original piece of art is not included in this package).

For more information about this grand event visit www.WorkhouseArts.org or call (703) 584-2900!

Theatre Workshop for Grades 1-6

Elementary school students in grades 1-6 are invited to attend a Theatre Workshop on Saturday, March 3 from 9AM-1PM presented by South County theatre teachers and students! Come play theatre games, learn techniques to improve voice and body movements, and use stage make up to create fantastical characters! Cost is $10.00, which goes to support the South County Theatre Boosters. For more information contact: SCSS Theatre Booster Club. South County Secondary School, 8501 Silverbrook Road, Lorton, president@southcountytheatre.org 571-408-9657 www.southcountytheatre.org

Fiddler on the Roof Auditions Done

Performances Dates: 5/3, 5/4, 5/10, 5/11, 5/12, 5/13 (Matinee), 5/17, 5/18, 5/19 at the Dr. A.J. Ferlazzo Bldg, 15941 Donald Curtis Drive, Woodbridge,
For the latest information about Castaways Repertory Theatre, call 703-508-5418 or go to www.castawaystheatre.org

Story:
In the little village of Anatevka, Tevye, a poor dairyman, tries to instill in his five daughters the traditions of his tight-knit Jewish community in the face of changing social mores and the growing anti-Semitism of Czarist Russia.

CRT is a community theatre. There is no pay involved. The Castaways Repertory Theatre is a volunteer organization, a member of the Prince William County Arts Council, NVTA (formerly the Northern Virginia Theatre Alliance) and WATCH (the Washington Area Theatre Community Honors). Partial funding is provided by a grant from the Prince William County Park Authority / Prince William County Arts Council.

MVCCTs Upcoming Camps and Performances

The Mount Vernon Community Children’s Theatre is bustling with a slate full of spring and summer activities for children, teens and families to enjoy. This 32 year old children’s theatre features two full length productions and eight weeks of camps in the coming months. So visit www.MVCCT.org to see how you can participate! MVCCT is funded in part by grants from the Virginia Commission for the Arts, the National Endowment for the Arts and the Arts Council of Fairfax County.

SHERLOCK HOLMES: The Adventure of the Speckled Band
Adapted from a short story by Sir Arthur Conan Doyle
Adapted by Tim Kelly
February 11, 17 and 18 at 7:30 pm
February 12, 19 at 3:00 pm
Heritage Presbyterian Church, 8503 Fort Hunt Road, Alexandria, VA 22308
Tickets: $10 available at the door only
She thought she was locked “safely” in her own room, but the beautiful Julia Stoner is nevertheless murdered. Her dying scream, “The band—the speckled band!” is Sherlock Holmes and Doctor Watson’s call to action. This entertaining tale of intrigue and suspense was adapted from the short story thought by Sir Arthur himself to be his best-ever Holmes tale. Features a cast of 14 area teenagers.
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The Adventures of Tom Sawyer Based on the novel by Mark Twain. Conceived and Written by Ken Ludwig; Music and Lyrics by Don Schlitz
April 14, 20 and 21 at 7:30 pm
April 15 and 22 at 3:00 pm
Carl Sandburg Middle School, 8428 Fort Hunt Road, Alexandria, VA 22308
Tickets: $10 in advance online at $12 at the door.
Scout Night: April 14 Groups of scouts can order $9 tickets in advance online
This musical version of Mark Twain’s enduring novel is a tale of thrilling escapes, comedy and inspiration sure to dazzle and enchant children and adults alike. Ken Ludwig has won the hearts of musical theatre lovers with his Broadway musicals including Crazy for You and Lend me a Tenor. Featuring a cast of 55 actors ages 8-18!
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Spring Break Camp
April 2-6, 2011 9:00 am to 5:00 pm

Want to be in a play? Looking for a fun Spring Break activity? Look no further...MVCCT’s popular Spring Break Camp is just the creative, engaging experience your student is looking for. MVCCT’s camps are fun, build confidence, teach teamwork and develop ease in public speaking.
Regular Price $365, Early Bird discounts available
Heritage Presbyterian Church, 8503 Fort Hunt Road, Alexandria, VA 22308

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Summer Camp
Two-Weeks
July 2-July 13 (no 4th of July)
July 30-August 10
August 13-24
One-Week
July 23-27

Plan ahead because MVCCT’s Summer Camps always sell out early! Experienced, professional instructors, directors and musical directors work with campers throughout the sessions to teach elements of the craft of acting through theatre games, improvisation and skill-building exercises. All campers also rehearse a showcase performance for the last day of camp. During the two-week sessions, mornings are devoted to acting workshops and rehearsals of a non-musical piece. Afternoons are devoted to acting, singing and dancing—all in preparation for a musical theatre production on the last day of camp. Campers can attend morning, afternoon or both, however, most campers stay all day. The one-week camp focuses on the rehearsal and production of a non-musical drama.
Prices range from $270-$650, discounts for Early Bird, siblings, and all day attendance available. Heritage Presbyterian Church, 8503 Fort Hunt Road, Alexandria, VA 22308
For more information and to purchase tickets or register for camps visit www.MVCCT.org
MVCCT is in its 32st year as a nonprofit organization offering productions featuring children in all roles, led by professional directors, music directors and stage managers. MVCCT also offers education programs including afterschool programs and camps. For more information visit www.MVCCT.org or call 703.360.0686.

Studio 3 Miss Electricity

Workhouse Studio 3 for Young players and audiences is presenting Miss Electricity Saturdays through February 25 10am and 1pm

Ten-year-old Violet is determined to show the world, not to mention the cool kids at school, just how special she is. With the help of her assistant Freddy, she sets out to break a world record, but becomes accidentally extraordinary when she’s struck by lightning -- twice -- and gains control over all things electric. Under the name Miss Electricity, Violet zaps her way through circuits, bullies, and tests, but could lose everything when the power goes to her head.

Tickets: Children under 12: $8 / Adults: $12.
Go to the Workhouse web site for evening theatre production of “Art”. Other activities include social dance, cooking lessons and the film institute.

Workhouse Center Offers Theatre

The Lorton Arts Foundation is pleased to announce the inaugural season of its own Workhouse Theatre. Based in the Workhouse Arts Center’s newly renovated building W-3, it is one of only three professional theater companies in Northern Virginia. Workhouse Theatre will launch its season with the play ART from January 20-February 26, 2012.
ART, a play that raises questions about art and friendship, concerns three long-time friends, Serge, Marc and Yvan. Serge buys a large, expensive and completely white painting. Marc is horrified, and their relationship suffers considerably as a result of their differing opinions about what constitutes “art”.
It’s no mistake that ART was chosen as the inaugural show for Workhouse Theatre. The play presents the perfect opportunity to highlight the diverse offering of arts that lies within the Workhouse community. Workhouse studio artist and seasoned professional scenic designer, Joe St. Germain (studio 1013) even offered technical guidance on the production. Director Joseph Wallen further explains why ART was selected:
“ART always seemed to be absolutely the right choice to produce for our inaugural season of performances at the Workhouse. Not only does the subject matter give a nod to our origins as a visual arts center, but it also opens the discussion about the nature of art, beauty and worth. Of course, the story runs much deeper, but the value and interpretation of the ‘infamous white-on-white painting’ serves as a catalyst for three close friends to examine their relationships (good and bad) over the course of a particularly stormy evening. The characters and story are well-constructed and engaging, and we are very lucky to have three talented actors bringing this trio to life. The play simultaneously asks the questions ‘What is it about a particular piece of art that intrigues you?’ and ‘What is it about a particular person that makes them a friend?’ ”
Friday and Saturday evening performances are at 8pm; Sunday matinee performances take place at 2pm. Tickets are $20 for adults and $15 for seniors, students and military. For more information visit www.WorkhouseArts.org or call 703-584-2900.

Taming of the Shrew Castaways Style

Review (with a twist) by Floyd Harrison, publisher

Fair reader, you are like the shrew, probably bored and interested in getting out of the house just to assert yourself and eschew discipline. But, you are better than any pretense made upon the theatrical stage.

You don’t care that director Katherine Bisulca and assistant Leslie Ross have made a delightfully humorous interpretation of this classic written upon such a cruel premise. Your performance upon the world stage cannot be improved by any frivolous writing of dumb old Shakespeare. Your own humor delights and tames your spirit. You listen to me. You don’t need to see The Taming of the Shrew with a twist.

Forget going to the Ferlazzo building theatre to squander your time to forget your own life of foolish revelry. You would have to join record audiences for any Castaways production and you wouldn’t be impressed by the improved lighting and sound they have worked out. It shall be as I say. Everyone hates the circus.

The fare of $14 is outrageous for an evening out and the conspicuous consumption detracts from your posture as a frugal conservative. You wish to stay home and remain the same empty headed dimwit whom I adore.

So, I implore you in the manner that Petruchio consoled his shrew, Kate, to contain her and conform her. Esteem your self to know that what I say is true for you and that you do not wish to see it.

Well, It worked for Shakespeare. What’s the matter? Are you not having my maelstrom of malarkey? Perhaps you don’t understand my review because you don’t know the story. Some just don’t get it.

Ok, if you must, just go, see “The Taming of the Shrew” production by Castaways Repertory Theatre and see if you think you would fall for the taming. You can catch it the first weekend in February, then the opportunity to see this unique production will be sadly lost forever. What? You wanted my opinion? For information visit www.castawaystheatre.org.

Big River, Buffet With Huck Finn

Review by Floyd Harrison, Publishser

You could have enjoyed Big River at the Lazy Susan dinner theatre in Lorton. It’s the adventures of Huckleberry Finn set to stage and music. But, it is really not kids literature. It’s revealing and worthwhile like their food that is good for you but so tasty that you won’t notice. The groaning board buffet is a Pennsylvania Dutch tradition from before the days of fast food.
Huck Finn had been so battered with the idea that you gotta study to be good enough to get into heaven that he felt defeated. I was reminded of the Biblical parable of the four soils. There’s some of the four soils in all of us. He wanted to rebel and give up trying to be good. He had a good heart though that was masked by ignorance.
He was willing to be a friend to the black man Jim even though he believed that blacks were not human like him. The revealing thought was: “I guess they [blacks] care as much about their families as we do about ours [whites]. At one point he was willing to subject Jim to a demeaning trick. Huck also learned that being bad didn’t work for him so he internalized his moral lessons.
So, they made it back to their home a lot wiser for their journey on the Mississippi and broke down racial barriers within their contacts. Mark Twain had a good idea but I think the message may be too subtle that some might miss the good-for-you part.
Another message was to avoid people who want you to be something you are not and to be yourself.
The production at Lazy Susan was excellent. I understood the play better than at a production elsewhere. They had a neat lighting effect for the reflections on water. The costumes were gorgeous. The lines were delivered smoothly and the singing voices were very satisfying. They achieved a Gospel effect.
It is a satisfying evening and worthwhile entertainment. This is the last month of Big River; Nunsense begins after the Independence holiday. See www.LazySusan.com and call for reservations 703-494-6311 in Lorton.

Once Upon a Mattress NVP

If you thought you knew the story of “The Princess and The Pea,” you may be in for a walloping surprise! Did you know that Princess Winnifred actually swam the moat to reach Prince Dauntless the Drab? Or, that it wasn’t the pea at all that caused the princess a sleepless night? Carried on a wave of wonderfully melodic songs, this rollicking spin on the familiar classic of royal courtship provides for some side-splitting shenanigans. Chances are you’ll never look at fairy tales quite the same way again. Northern Virginia Players is happy to bring the story of the Princess and the Pea to life in Rodgers and Hammerstein’s huge hit musical “Once Upon a Mattress”. Great entertainment for all ages! The musical runs for two weekends, May 6th, 7th, 13th, and 14th at 7:00pm at New Hope Church, 8905 Ox Rd. Lorton. Bring the family , grab your friends, and join the fun. Tickets are $10 in advance or $12 at the door, if available. For information and tickets please visit our website at www.NVPlayers.com. (For additional questions, please call 703-866-3546. Music by Mary Rodgers lyrics by Marshall Barer, book by J. Thompson, Dean Fuller and Marshall Barer. Presented through special arrangement R&H Theatricals www.r&h.com )

Castaways Repertory Theatre Presents “Godspell”

Godspell is a 1969 musical by Stephen Schwartz and John-Michael Tebelak. It started as a college project performed by students at Carnegie Mellon University. “Day by Day” from the original cast album, reached #13 on the Billboard pop singles chart in the summer of 1972. “Godspell” tells it’s story using a series of parables, based on the Gospel of Matthew, and songs using many different music styles (folk, rock, gospel, vaudeville.) The crucifixtion is symbolically depicted at the end of the show. Suitable for all family members however, devout Christians may find Jesus depicted as a clown disturbing.
May 6, 7, 12, 13, 14, 19, 20, 21 at 8pm. One matinee only on the 14th at 1pm. Directed by Zina Bleck. General Admission $14. Seniors, students, children (12 & under), military, and PWC employees $11. Groups of 10 and Matinee $10. All performances will be held at the Dr. A.J. Ferlazzo Building, 15941 Donald Curtis Drive, Woodbridge. For information and Reservations - visit www.castawaystheatre.org or call 703-508-5418.

Hellzapoppin Home School

Review by Max Johnson of McLean

In an age of short attention spans, most of our entertainment comes out of the internet, from ridiculous YouTube videos, watching Saturday Night Live on Hulu, or the occasional video or story of real talent. But long predating all these forms of bemusement comes their predecessor straight out of the 1920’s: vaudeville. With their production of “Hellzapoppin,” Homeschool Teens and Theater attempt to awaken this often forgotten vessel for hilarity.
Although “Hellzapoppin” may be quite the obscure piece, it was at its height the longest running show on Broadway. Being classic vaudeville, “Hellzapoppin” features dance, song, and sketch comedy, all the while poking fun at itself, with people backstage along with plants in the audience making fun of the actors and the producer. The show had a very hectic feel, with actors messing up cues, disappearing and reappearing behind doors, and taking out signs upside down for comedic effect, running with the improvisational feel of the show. Several sketches, which were written by Anson Rutherford, gave way for over the top characters and zany costumes.
This productions constant feature was the unending lunacy that drove it forward. The production would have at one point an actor donning a fly costume trying to avoid being swatted, followed by the entrance of a heavily armed Abraham Lincoln, backed by the regular use of disembodied heads and limbs for comedic effect. Reoccurring characters in animal suits made for some the funniest moments, such as the reoccurring hijinks of Congo the gorilla, or the seductive, lap dancing Suzie the elephant, who would go out into the audience to flirt and charm. While hardly anything made sense, all performances were done with such energy and conviction that made it impossible to lose interest.
The show was led by “producer” Anson Rutherford, who constantly broke the fourth wall, apologizing for his “appalling” show, and getting angry at his actors for their lack of professionalism, such as using cell phones during the performance. Chanukah Jane Lilburne excelled in the various characters she played, from a coy nurse, a mentally unstable old woman, to a cowgirl taking ownership of the cowboy. She stood out from the rest of her cast with her energetic dance, audible and on pitch singing, and good comedic timing. Jeremy Pryzby had commendable physical comedy, moving with a cartoonish quality that enhanced his already large characters, such as an incompetent psychiatrist or a member of an overdramatic breakup.
The technical aspects of the show did a suitable job of setting the mood and feel of the production. The sets were sloppily covered in graffiti, with doors and cabinets with an industrial, broken down feel. The costumes were incredibly expansive, with everything from showgirl outfits, many animal costumes, doctor’s clothes, a Robin Hood style archer, and countless other pieces. The changes were done with incredible speed and efficiency in a system designed by Katy Rinaman.
Capturing the insanity, energy and absurdity of this mad cap show, Teens and Theater took “Hellzapoppin” and made it their own, truly loving every minute they had performing it.

Seussical,
The Musical at Woodbridge

Review by Caleb Wroblewski of Washington-Lee High School

Dr. Seuss is one of the most beloved authors of children’s books. His style, aesthetic, and ideas are unique, fun, and imaginative. Capturing the true nature of Dr. Seuss was the difficult task admirably tackled by the cast and crew of Woodbridge Senior High School in their performance of Seussical the Musical.
Seussical, written by Lynn Ahrens and Stephen Flaherty, opened on Broadway in 2000. The musical, which is almost completely sung-through, presents a number of the more well-know stories of Dr. Seuss. The play also contains some of the most famous Seuss characters, including The Cat in the Hat, Horton the elephant, the Grinch, and Cindy Lou Who.
Anchoring the show was the strong and energetic work of the show’s ensemble. The huge chorus had a high level of energy and really seemed to be having fun, which helped draw the audience into the Seussical universe. In addition, each member of the ensemble had a unique character, which helped hold the audience’s attention throughout the show.
The real standout of the show was Jordan Frederick, playing the young and imaginative thinker, JoJo. Her impressive vocals, showcased in songs like “Oh, the Thinks You Can Think,” and “Alone In The Universe,” captivated the audience. She successfully portrayed JoJo’s imagination, endearing humor, and innocence every time she was on stage.
Narrating the show was Brittany Carpenter, playing the Cat In the Hat. Carpenter displayed strong stage presence as she narrated the production and presented the characters. She created a number of unique characterizations that helped set up the stylized nature of the production. In addition, Brandon Boling was incredibly likeable as Horton. The audience identified and empathized with the faithful and good-natured Horton, and his duet with JoJo in “Alone In The Universe” was touching, perfectly capturing the spirit of the show.
Despite the fact that some singers were hard to hear or were a bit off pitch, creative choices and high energy kept the audience from being bothered by these small mistakes. In addition, impressive work by sound designer Rachel Price was faultless and helped the audience hear some singers who had trouble with projection. Dancers Joey Sandy and Melissa Redding wowed the crowd with their difficult tumbling and acrobatics.
Strong ensemble work, high energy, and impressive individual performances by Woodbridge’s cast and crew created a fun and impressive show that succeeded in staying true to the ideas and style of Dr. Seuss.

April Cover Photo: “Monkey Dress”

“The Fat Lady Sings”

MFA candidate Deborah Lash presents her graduate thesis exhibition, “The Fat Lady Sings” at the Fine Art Gallery in the Art and Design Building on George Mason’s Fairfax Campus from April 18-29. After losing one-third of her body size in a year, the artist explores the adjustability of the human form by constructing dresses with safety pins and thrift store materials. Through sculpture and performance, the exhibition journeys through the loss and recreation of personal identity. To view Lash’s portfolio, visit www.deborahlash.com. For more information, please contact deborahlash@gmail.com.

Lorton Music and Dance School Represented Globally

Heart Beats Music and Dance is represented in the McLean Youth Orchestra. The orchestra has an exchange with the Chiba Youth Orchestra. That’s right, from Japan near Tokyo.
Lorton faculty participating are Katie Packa with double bass and electric bass; Drew Lisowski, violin; Tina Anderson, string teacher and music director; and Will Morales. Students are Quinton Folks, Viola and Keren Ewell, Cello.
A recent performance was March 26 when we missed Wagner’s Ride of the Valkyries. The upcoming program is May 14 when they program includes Stravinsky‘s Petrouchka a puppet and Dvorak’s Cello Cencerto in B Minor.
This fun music shows the skill of the group. For more information on the concert, visit www.mclean-orchestra.org. For more information on the family friendly music and dance school in Lorton, visit www.HBeats.com

Agatha Christie –

And Then There Were None at the Lazy Susan

Play continues thru March; Review follows:

Review by Floyd Harrison, Publisher

Murder you appetite at the Lazy Susan Dinner Theatre in Lorton. There’s nowhere else you can have this fine of an evening for this price.

The buffet is Pennsylvania Dutch groaning board style, with cold items first, salad, dressings, veggies and fruit then moving on to the hot items and meats. Meats include beef, chicken, and fish and there’s a variety of fresh baked breads, buns and muffin cakes. Never mind the Dutch names, it’s fabulous. And the desserts are also always a tasty surprise.

Of course it’s only partly about the food. Currently, the play is a production of Agatha Christie’s “And Then There Were None.” The suspense is unrelenting and the mystery is thick. You come to believe with the remaining survivors that they will continue to die one by one until there are none in spite of their best efforts to defend themselves. But who could commit ten murders according to a riddle undetected?

The setting is a holiday retreat in an elegant mansion on a small lake island beginning on an August evening. A recording reveals that all the guests including the two servants have avoided conviction for deaths and deserve to die before they can get off the island. A search for their nominal host turns up no one. Everyone is a suspect and an intended victim. A storm complicates their attempts to solve the mystery before someone else dies. But, the last two die in the last minute with the mystery unsolved.

But, this is OK with you because, you survive still satiated by a good dinner, dessert and drink and you can figure out what happened when you get home; tomorrow. If murder is not your idea of a subject for entertainment, as some people who have suffered violent loss, then don’t see this play. Otherwise, I don’t know why everyone wouldn’t want to attend every production at the Lazy Susan. What’s better than good dinner, good friends, good entertainment and not having to fix or clean up from dinner.

The Lazy Susan is the last of a dying breed and you don’t even have to leave Lorton to enjoy it. The challenge is figuring out what to leave off your plate. C’mon this isn’t fast food; You can chow down on the good stuff once a month. Just call 703-494-6311 for reservations.

“Empty Closets” by Lewis Vilensky

Review by Floyd Harrison, Publisher.

Castaways Repertory Theatre always does a good job with their productions. They generally gravitate good actors and the technical aspects are professional. The company is a good choice for theatre entertainment. Once in a while, though, somebody picks a lame script. This is one.

Empty Closets is among the few worst scripts I feel that I have seen produced. It would be OK to weave two clashing ideas or cultures into one story but this is not a weave. It’s a basket of clashing yarns.

For a comedy, I think you have to do better than a collection of queer insults and Jewish jokes and puns on the family name Tushman. School bus stop conversation is funnier than this script.

It presents the law student son as coming out with his queer friend and excuses that as genetic. But, the Jewish father, rejects that and openly bashes the friend. The father is not happy ‘til his other son gives him a grandson. That’s one story, the comedy such as it is.

Matted in the middle of that, we hear about the father’s long born torment relating to loosing his parents in a German camp and the weight of being the only one to continue the family name even if the name is ripe for potty jokes. You find that he gave up his love for the sister-in-law because she couldn’t bare children. And that’s the other part of the story, the drama, not funny, so, now all the closets are empty.

At least in this story, you feel the deep rooted personal pain of the father caused by the proud queer son’s shallow expectation of acceptance. So, that’s the message of this play. One pain would be laid over the other and he’s supposed to get over it. It's rare and good that the parent's anguish is illuminated for a change. There, I said something positive about the script. There’s the new Grandson but the play closes with a long anticlimax leaving you to imagine whether he really would get over it.

This Castaways production runs one more weekend and there’ll probably be seats available. See it for the message and the production quality but don’t bring the kids because programs like this tend to normalize deviant attitudes. The funny thing is actually that a kid will pick-up on what’s being confessed quicker than the old fashioned parent characters who don’t want to hear that their son is queer. The Tushmans are kinda like the TV Bunkers.

For the latest information about Castaways Repertory Theatre, call 703-508-5418 or go to www.castawaystheatre.org.

Northern Virginia Players presents Willy Wonka Jr.

Review by Floyd Harrison, Publisher

It is really to bad that the young people’s theatre productions don’t run longer; They perform the most delightful productions. You have to keep your eyes open for news of their productions and make time to see them.

Willy Wonka Jr. is a young theatre version of the famous TV production of Willy Wonka and the Chocolate Factory based on the book Charlie and the Chocolate Factory by Ronald Dahl. Though necessarily adjusted to live theatre, this is the better version. Children as the Oompa Loompas, make the TV version look like the geriatric ward production.

The cast ages from 5 to 17. Impossible, you say. No! This would seem to be a challenge but the directors Ann Eul and Kate Wittig and producer Lacey Yoho pull it off admirably. The show is colorful, entertaining and the message comes through. “I have a message for you…” Be honest, not greedy and self serving.

It’s sort of a pauper to king story. Charlie, though his family is poor, represents the good among the five spoiled children, and so wins the inheritance of the Willy Wonka candy empire. Life should always work like this.

The Northern Virginia Players, are largely what was the YPT which has not nominally produced a play this year but which works with home-schooled children. Young people from all cultures, benefit from involvement. Visit www.nvplayers.com.

Saddle-Up for St. Jude Trail Ride

Reported by Sam Horchler, communications intern from ODU.
Enjoy a two minute video of Trail Ride at Pohick Bay Regional Park.

Local Film Producer Uses Workhouse

See a one minute trailer for the Anthony Faust short 35MM art film "A Rock and a Hard Place" which was partially filmed at the workhouse cell block part of the Lorton Workhouse Art Center. Learn the sinister plot and see the shocking trailer; Link to the film site here …

Open Mic. Reception at Coffee House in Memory of Carolyn Zakaski Video of a couple of songs

Saint Patrick's Parade in Alexandria

The closest and best Saint Patrick's parade is on the first Saturday of March in Old Town Alexandria. Enjoy a sample video.

The Kingstowne Area Artists’ Association

Call for Artists! The Kingstowne Area Artist's Association (KAAA) has membership opportunities for artists in the Kingstowne area. We welcome all fine art mediums and genres. We hold monthly meetings, have an annual art show/sale for our members, and our work is displayed in several local establishments. Check us out on the web at http://www.kingstowneartists.com where you can find information on our group and meeting times and locations. For more information call Sandy Mann at 703-921-5557.

Old Time Country Music Documented at Coffee House of Occoquan

You could hear a rare treat, the founder’s of the National Traditional Country Music Association, Bob and Sheila Everhart, performed a night of genuine old time American acoustical music at the Coffee House of Occoquan, 202 Commerce Street, Saturday night December 5. This is all old stuff.

Bob Everhart founded the non-profit Association in 1975 a time when Nashville had declared “hillbilly music” dead and gone. Well, not so fast, the Association has held week long festivals since.

Country music stands beside Jazz as America’s Musical Heritage including Bluegrass which together came out of the Celtic from two hundred years ago and evolved in somewhat isolation. Not only is the music unique in the world but it tells stories of America. NTCMA has been helping to preserve this music and publishes the informative ‘Tradition’ Magazine available for a $25 membership.

Bob and Sheila Everhart were inducted into the Old Time Music Hall of Fame in 2002. Our own Mike Johnson, also and inductee, yodels about them favorably. We get our information from Joe Arnold, Roughshod Records, Arlington, VA

Coffee House of Occoquan Music Schedule

Friday Nights close at 5:00

Saturdays: Songwriter's Open Mic. 7:00 except holiday weekends.

“Memories Die Hard”

By Mike Johnson
Review by the late Wild Bill Halbert

“A long distance trucker gets a temporary break from his exhausting schedule and drops in on an old Vietnam Navy buddy living just south of Tucson, Arizona. Their reminiscing takes them back to a secret operation behind enemy lines and forces them to finally lay old bones to rest. A sudden death in the friend’s family calls them to Phoenix for the funeral and the trucker sets out on one of the family’s horses to enjoy a couple of days of camping in the Sonoran Desert.

Tracking an old man who had raided his camp one night, the trucker finds himself witnessing a real life “wild west” drama. The camp raider, an old man tending to his sick grandson, was being acousted by two “coyotes” who had intended on them burying in the desert instead of smuggling them across the U.S. border. Swinging his Winchester into action, the trucker is also bitten by a hidden rattlesnake, and while being treated by the grateful pair the he slips in and out of consciousness and travels back in time to some hair-raising adventures of his youth.

Memories Die Hard is woven several stories in one. You’ll feel the pain and sorrow over the loss of loved ones, gag on the styfling the stench in a Viet Cong rat tunnel, and find yourself wiping the sticky jungle sweat from your skin. The beauty of the flora and fauna of the Sonoran Desert will captivate you and the discovery of large pug marks alongside a cool stream will wisk you away on a spear hunt with a famous South American Jaguar hunter of yore.

Each experience in one’s life contributes to the makeup of the soul and how one chooses to handle those experiences is up to the individual. “Memories Die Hard” projects the author’s inner visual perception and puts one in the midst of his recollections, subtly convincing us that while some memories fade with time, others die hard.

You’ll surely enjoy this if you like adventure and aren’t squeamish about death, destruction, and bad situations told complete with the language of the events, which at times is a bit vulgar, but not for vulgarity’s sake. Exciting drama, laced with the love only an outdoor adventurer can have for everything and everyone. This is one of the best reads you’ll ever have.”
See more information at http://www.freewebs.com/blackyodelno1/memoriesdiehard.htm December 1999 Review by the late Wild Bill Halbert [17 August 1920 * 8 August 2003], Publisher of Sharing & Caring Magazine, Wills Point, Texas. Courtesy of MAJJ P.O. Box 100933, Arlington, VA. 22210

Story of the Fourth Magus

By Noble Johnson

Review by Floyd Harrison

Who is the Fourth Magus; Was he a wise man? Who is The Little Drummer Boy and where did he come from? What other pure hearts surrounded the compound miracle we call Christmas? 'The Fourth Magus' audio CD would make an inspiring gift for a thoughtful person this Christmas season.

The first Christmas story in the Gospel of Matthew tells us of three kinds of gifts that were opened before the holy child. How many Magi and shepherds is left to legend along with the Little Drummer Boy. The story of 'The Fourth Magus' fills in the origin of our other Christmas traditions. Is he Arteban?

'The Fourth Magus' will likely come to take a prominent place among our other holiday traditions as it presents a delightful unification of legends. It gives us the untold story of the Little Drummer Boy. Noble Johnson’s story is sure to bring a blessing of joy to your holiday observance.

This inspirational family time program is written and performed by the consumate story teller Noble Johnson. Lortonites know his daughters, Heather and Rebecca as the local musical group Ceylon which entertained us at the Lorton 4th of July Parade, the Coffee House of Occoquan and Skinifatz. The girls continue in their musical careers. Heather is the Producer, Editor and Sound engineer for the Album.

'The Fourth Magus' is available at The Coffee House of Occoquan, The Golden Goose, St. Elizabeth Ann Seton Catholic Church and at the Fort Belvoir General Store and online at http://cdbaby.com/cd/noblejohnson